Thursday, March 21, 2019
Attention Must Be Paid to Death of a Salesman :: Death Salesman essays
Attention Must Be Paid to remnant of a Salesman When Arthur Miller wrote Death of a Salesman umpteen considered it a current masterpiece. It has spurred debate among academics and stirred the emotions of hundreds of thousands of audiences and readers alike. However, there is a growing trend among many who approach this joke to condemn Willy Loman out of hand. Entire new generations of readers olfactory property nonhing for the plight of Willy Loman they believe his achievements merit his destruction. Why is this? Has there been a fundamental but subtle shift in societal attitudes non just toward literary works but toward life in general? If so, does this restore the validity of Millers vision as presented in Death of a Salesman? This run must be seen as something more than an invigorating academic challenge, a pawn in the petty games of academia. It is so much more than that. Attention, caution must be paid to such a person and such a play. Late twentieth century society has made the pitch contour from agrarian and rural communities to massive urban industrialization. These changes can and have been monitored they ar tangible. Small family operated businesses and farms have been gobbled up by multinational conglomerates. The days of the employer as a sort of surrogate p bent to his or her loyal employees are over. Our world no longer has time for Willy Loman. We discard these people as inefficient, burdensome, and unnecessary, all in the name of progress. Willy Lomans are expendable commodities to be apply up and cast aside. This change in societal attitudes, though perchance not as tangible, is very real. A social theory as well as a literary one is needed, therefore, to reconcile Millers play with the modern world. Marxist literary criticism is one such theory. It relates literature to the society which produced it and the society that consumes it. Examining the ideological basis and historical context which adjoin the play result i n a better understanding not only of the text but of the changes in our society as well. We must begin beneath the surface of the play, in abstraction, to search for the ideologies that control the action of the play. To the Marxist, ideology is more than a doctrine or set of doctrines it is an unformed body of free-floating images that pervades and manipulates all aspects of life.