Baz Luhrmanns 1996 adaptation of William Shakespe bes Romeo and Juliet contains umteen pairedal tv television camera techniques standardised camera travels/ nominal heads, costumes, props and soundtracks to clearly identify the diametric aspects and attitudes of both character. Camera and angle movements play a colossal role in describing the different characteristics of each character. This can advert to Tybalt. Although the editing makes the fight view overall fast paced the camera centers on Tybalt several times, in slow motion, as he prepares to shoot. His movements are like a ritual which seems he has performed many times. E real distinct movement is exaggerated. His taking his jacket strike then taking his gas pedal out and fondling it. The camera also focuses on his skills with the gun. He doesnt seem to be disturbed by the situation in the least. He seems very comfortable with the scenario and takes his time in every movement rather like a cat wich could be t he reason wherefore he is called the king of cats. This shows that Tybalt is stylish and pith business and the he has performed these moves many times making him a dangerous and uncongenial person. Using a variety Costumes are also an cardinal technique wich helps us to identify the different aspects of every character. The Costumes go away information about the dissimilitude in the personalities of the Capulets and Montagues to one another.

The Capulets enclothe are all black leather, while the others are eating away brightly coloured Hawaiian shirts. This symbolizes their personalities, and since the c pus h-down storagehes and colours are in contras! t to each other, it makes the difference in the personalities withal more extreme. The Capulets have a lot of phantasmal symbols on their chests; wich could mean they are more sacred when compared to the Montagues. Many religious people are peaceful because they line the... If you want to stick by a full essay, order it on our website:
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